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freckles on it. If you looked at his eyes, mouth and nose separately  they
somehow  did  not  seem  to  go  together,  but  if you looked at them all
together, you got Vitalka.
    I hardly remember what I was like, The only photograph of that time  I
still  have  is  of  mother,  Uncle  Seva,  Lenka  and  me.  On  it  I  am
well-groomed, lobster-eyed and amazingly  clean and tidy. Vitalka  used to
say that  apart from  my sticking-out  ears, I  did not  look at  all like
myself in that picture.
    And, anyway, I hardly ever looked in a mirror.
    True, there was one mirror I was always passing: it stood in the  hall
at  the  foot  of  the  stairs  and was cloudy, tarnished and full-length.
Whenever I dashed past  it to run up  the stairs, a puny,  thin-legged lad
with peeling sunburnt shoulders would dash past with me in this mirror  as
if it were a dark narrow doorway.
    But I never got a really  good look at myself because there  was never
time. I was always hurrying  upstairs to our cabin, our  headquarters, our
fortress and kingdom, our watchtower. It was like a little house built  on
top a larger one and consisted of  only one small room, its walls made  of
bare boards.  All sorts  of tiny  creatures, such  as spiders, beetles and
crickets, lived  in the  cracks between  these creaky  old boards,  but we
weren't afraid of them and did them no harm.
    The  walls  were  decorated  with  my  wooden  weapons  and  Vitalka's
paintings - not  all of them,  of course, but  the best ones  - and I  was
especially  fond  of  "The  Flying  Dutchman"  and  "The  Revolt  of   the
Gladiators".
    "The Flying Dutchman" showed  a mysterious dark frigate  with tattered
sails. The pointed end of a crescent moon was peeping through the  largest
hole in  the sail  and a  small yellow  light was  burning faintly  on the
stern.
    The "Gladiators" was even  better. It showed rebellious  gladiators in
Roman circus chasing rich men in long robes down marble steps.
    Hanging  there,  too,  was  a  huge  old-fashioned  watch belonging to
Auntie Valya's  grandfather. It  was silver,  bulbous and  French-made and
she had given it to us so that we learnt to appreciate the value of  time.
However, she did not let us touch it and always wound it herself.

    The room had two windows facing  south and north. The bright sun  used
to shine  through the  south window  all day  long and  in the  evenings a
large star whose name we did not  know used to twinkle in the radiant  sky
seen through the  north window. Sometimes  a pink porous  moon peeped into
that windows from the east.
    We  used  to  study  the  moon  through  a small brass telescope which
Auntie  Valya  had  also  inherited  from  her  grandfather and we used to
imagine how  long, long  ago his  pupils had  observed the planets through
similar telescopes.
    Despite its  venerable age,  the telescope  was still  in good working
order and the moon  through it looked like  a huge crispy round  loaf, and
seemed so close you felt you could reach out and touch it.

    ... I  only have  to shut  my eyes  and I  remember everything  in the
minutest detail. No,  more than that,  it's as if  I am back  in the small
room again.
    It is  quite dark.   The telescope  is standing  on a  window-sill and
Vitalka and  I are  squatting down  in front  of it.  In the  gloaming our
beetles and crickets  are rustling and  scrapping about in  the cracks and
under the  pictures on  the walls.   The telescope  smells sourly  of  old
brass.  Vitalka is breathing rapidly as he looks through the eyepiece  and
I am sitting beside  him, with my cheek  pressed against his, waiting  for
my turn. His shaggy hair is tickling my temple.
    All of  a sudden  Vitalka says  in a  whisper, "Those  schoolboys, all
those years ago, d'you think they studied the planets in the same way?"
    "Of course they did!"
    "But it was so long ago... It's even hard to imagine. After all,  they
didn't even have electricity then."
    "So  what?  The  telescope  was  invented  by Galileo even longer ago.
You've  been  looking  through  it  for  a  whole  hour now, Vitalka. More
over..."
    He moved his head aside and I pressed my eye to the eyepiece.
    ... Looming before  me all of  a sudden was  a terrifyingly mysterious
and alien world. A bumpy desert  with stone rings and craters... What  was
it like? Who lived there? Would we ever find out?
    Vitalka and  I were  firmly convinced  that space  flights would start
any day now. After all, several Sputniks were already circling the  Earth.
However, this did not make the Moon seem any less mysterious.
    "... You've been looking for a whole hour," grumbled Vitalka.
    I tore myself away from the telescope with a sigh. What's that?  Could
that golden rosy disc shining high above the attics and aerials really  be
the same planet that was so close only a moment ago?
    Vitalka sat by the eyepiece  while I climbed onto the  warm windowsill
and sat next to the telescope  with my legs dangling outside. Close  by my
elbow  its  dark  lense  seemed  like  a  huge bulging eye, and the moon's
reflection was floating deep inside it like a golden seed.
    I grinned craftily and covered  the lense with my palm.  The telescope
jerked angrily.
    "What are you doing?" asked Vitalka.
    "It's a Martian spaceship flying by."
    "You'll  be  flying  yourself  if  you  don't  watch  out," threatened
Vitalka. "Down to the planet Earth. How about that?"
    "No, I'm fine  up here, tanks...  Look, Vitalka, there's  a motorship.
Perhaps it's the "Tobolsk?""
    Over the roofs, firs and poplars  the silhouette of a ship with  three
coloured lights appeared round the bend of the light bank of the river.
    Vitalka quickly climbed through the window, sat down next to me,  took
the telescope off its stand and looked through it. We often did this  when
we wanted to watch the things going on around us. True, everything in  the
telescope was upside down but this made it even more interesting.
    After  gazing  for  about  half  a  minute  through  the eyepiece like
Admiral Nelson  in the  film "Lady  Hamilton", Vitalka  shook his  head in
disappointment  and  said,  "So  much  for  your  motorship!  It's  a tug.
Land-lubber, that's what you are!"
    I  should  have  shoved  Vitalka  into  the  room for saying this, sat
astride him and  pulled his ears.  But, first of  all, I'm not  sure I was
strong enough and, secondly, I  felt rather awkward because my  mother was
just across the  road whereas his  parents had been  far away for  a whole
month and I had aroused a false hope in him.
    To take his mind off it,  I said, "There definitely aren't any  people
on the Moon. But as for Mars... Well, if there are..."
    "Then what?" asked Vitalka.
    "If there are... It means there must be boys on it, too?"
    "Well.. I suppose so..."
    "I wonder if they play at soldiers?"


                              Chapter Three

    Playing at soldiers  was our favourite  game. We started  it the first
summer we  made friends  and two  years later  had several large shoeboxes
containing a  huge army:   about three  thousand infantrymen,  cavalrymen,
gunner and scouts. Our brave men  were about the size of a  little finger.
We drew them on cardboard and then cut them out with nail scissors.
    Or, to be more precise, it was Vitalka who drew them for even then  he
was  already  a  fine  artist  and,  most  importantly, he had a fantastic
imagination  and  made  tons  of  different-coloured  uniforms,  feathered
helmets, drums and banners...
    However,  it  was  I  who  made  the entire artillery for both armies.
Auntie Valya used to give us  empty cotton reels which at once  became gun
barrels and wheels. From the  cannons we fired peas, dried  ashberries and
the tiny glass beads which Auntie Valya also gave us and which were  heavy
and especially lethal shells.
    Whenever it was drizzling and we  did not feel like going outside,  we
would lay out  a battlefield on  the floor, spreading  a mounted formation
of  dragoon  and  hussar  regiments  over  a wide front, hiding scouts and
observers   in   little    nooks   and   crannies    and   standing    our
different-coloured infantrymen and chasseurs in square formation. Next  we
laid out our batteries, put a  pile of shells by each cannon  and attached
rubber bands to the barrels...
    The  artillery  would  ruthlessly  mow  down the cardboard troops, and
defensive  breastwork,  redoubts  and  bulwarks  would  have to be quickly
erected.
    Then one  day Vitalka  hid his  army behind  a high  thick paper  wall
which  had  bricks  painted  on  it  and  looked  just like an impregnable
fortress.
    In their brightly-coloured mauve  and blue uniforms my  generals were,
like me, completely nonplussed for  a while. Then, however, they  hid from
enemy fire  behind an  upturned stool  and held  a council  of war  (while
Vitalka's artillery kept  up a barrage  from loopholes). And  five minutes
later we declared to  our enemy, "Ha-ha! We  aren't afraid of the  big bad
wolf!"
    Then  we  lifted  the  cannons'  wheels  onto  supports  so that their
barrels  were  pointing  upwards  and  opened high-angled mortar fire. The
shells flew  into the  air and  then rained  down on  our enemies'  heads.
Panic  broke  out  behind  the  fortress  wall. Falling into the soldiers'
midst, the shells bounced off the floor and struck someone or other  every
time.
    Entering upon negotiations,  Commander-in-Chief Vitalka accused  us of
violating the honourable rules of warfare. He argued that our shells  were
bouncing off the ceiling and this was making their blows harder.
    "Well, that's great!" I said ruthlessly. "That's just what we want."
    "But it's  not fair.  In real  life the  sky isn't  hard and so shells
can't possibly bounce off it."
    "But we're  playing at  old-fashioned war.  At that  time people still
didn't know that the  sky wasn't hard. On  the contrary, they were  always
talking about the heavenly firmament!"
    "Well, so what! It still  wasn't hard then either," retorted  Vitalka,
smashing my cunning argument.
    "How do you know?" I blurted  out. "Perhaps it was. After all,  nobody
flew up and checked, did they?"
    Vitalka blinked, obviously at a loss,  then came up with a real  plum,
"How do you know nobody did? Perhaps they did!"
    "Ha, ha!" I said. "Well, what did they fly in, then?"
    "Ho,  ho,"  replied  Vitalka  gloomily,  realising  he  had  lost  the
argument. "Magic carpets."
    I glanced at him with pity and sighed.
    If only we had known...
    But we did not know anything  yet and were completely absorbed in  the
battle.
    "Take your wall away and I'll lower my cannons," I suggested.
    "Get  stuffed!"  graciously  rejoined  Field-Marshal  Gorodetsky   and
swiftly  re-formed  his  troops  in  long  columns with large gaps between
them. His  losses at  once diminished.  Then he  opened his fortress gates
and led a troop of silver-foil armoured knights into the attack.
    To protect  my left  flank, I  hurriedly set  about building a redoubt
out of dominoes...
    And so on and on raged the battle.
    The floor in our  room was made of  large blocks of some  sort of wood
which was not found locally. Over the years the soft wood had become  worn
and grooved and  its surface was  now streaked with  hard prominent veins.
It was painful crawling across it on all fours but we did not think  about
ourselves in the heat of the battle. Changing positions, rushing from  our
infantry to our  cannons and from  one flank to  another, we crashed  onto
the floor  this way  and that,  making such  a racket  that the  cut-glass
tinkled in  Auntie Valya's  dresser downstairs  and our  elbows and  knees
became deeply imprinted with red patterns from the wooden floor.
    We regarded  these imprints  and bruises  as war  wounds and were even
proud of them. But looking us over after yet another battle, Auntie  Valya
would  shake  her  head  and  wince.  Women  always  feel  sorry  for  war
casualties. However, if  you ask me,  it was her  dainty glasses and  jugs
that Auntie  Valya felt  really sorry  for. Once  she even  said, "My dear
generals! I want to save you from injury and the house from destruction."
    Vitalka and  I exchanged  glances. Had  we really  driven poor  Auntie
Valya to such a state  of despair that she had  decided to turn us out  of
our watchtower?
    "There's a carpet in my  box-room," she informed us. "Of  course, it's
not very new but if you beat the dust out of it and clean it, you can  lay
it  on  the  floor  upstairs,  and  then  there'll  be  much  less din and
battering."
    A carpet? Hurrah!  We could have  wrestling matches on  it, simply lie
side-by-side on it  and talk about  everything under the  sun. Or drag  it
out onto  the roof  and sunbathe  on it  without worrying about scratching
our stomachs on iron sheeting. Or make a tent or shelter of some kind  out
of it and live in it like nomads!
    It's only grown-ups  who think carpets  can only be  hung on walls  or
laid on floors. But we, you see, knew the true value of things!
    The  carpet  was  standing  in  a  large  roll against a corner of the
box-room.   We had,  of course,  been there  several times  before but had
never taken  any notice  of it  because it  was partly  hidden behind  all
sorts of junk. As we forced  our way towards it, I scraped  myself against
a broken birdcage and a holey silk lampshade fell on Vitalka's head.
    The roll  was certainly  impressive-looking. I  patted its  woven back
and it was hard and rough to the touch.
    "It's probably terribly heavy," I sighed.
    "Yes, you're right there.  If it falls on  us, we'll be squashed  like
flies," Vitalka consoled me. "Well, let's have a go..."
    The carpet turned out to be amazingly light.
    "It's as light as a feather!" said Vitalka in surprise.
    We dragged it out into the corridor in no time at all and then  lifted
it onto our shoulders and solemnly  carried it out into the yard,  Vitalka
walking ahead  with the  red silk  lampshade swaying  on his  head like  a
bell.
    "Give it a good beating now," Auntie Valya called after us.
    We unrolled it  on the grass  and saw it  was about three  metres long
and two metres wide, a dingy  grey colour and smelt of store-rooms,  mould
and old sacks.
    "It stinks,"  said Vitalka  and broke  off a  large old  burdock stalk
while I went to look for the mop stick by the porch.
    We began beating it  from both sides and  the dust flew up  like smoke
from a  volcano. The  carpet shook  and wriggled  as if  it were alive. We
sneezed and giggled  and from the  porch Auntie Valya  kept admonishing us
not to  beat it  so hard  or else  the neighbours  would call out the fire
brigade.
    Finally we grew  tired and stopped  sneezing. The breeze  carried away
the cloud of dust. Now we could  make out the carpet's pattern.  Well,  it
was just  like any  other and  nothing to  write home  about, with various
jagged triangles,  and angular  squiggles round  its edges,  and two large
superimposed squares in its centre  formed an octagonal star with  another
star inside it like a cog-wheel. After being cleaned the carpet was  still
grey,  and  its  pattern  a  faded  reddish-brown.   It still smelt of the
box-room, and its pile where it had not been worn out now looked wiry  and
springy.
    But what did it matter! We  were exhausted!  We looked at  one another
and both flopped onto  the carpet. I collapsed  with my eyes tightly  shut
and so my first sensation was particularly amazing. It seemed as if I  had
fallen onto  something soft,  silky, warm  and alive  and not  onto an old
carpet.
    I opened  my eyes  in surprise  and sat  up. My  palms slid across the
carpet's bristly surface which  looked hard and prickly  but felt as if  I

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